Wonzimer Gallery LA Screening
Film Screening- Sacred FuturismEvent Page: https://partiful.com/e/3CqbV5bmtD87zfxqnlvW? 341 S Ave, 17 Los Angeles 90031 Sunday (April 21st)Doors open at 7 PMScreening Starts
Discover a sanctuary for your mind, body, and spirit with our exclusive private client offerings. Whether you’re looking to deepen your meditation practice, enhance your physical fitness through yoga, or seek spiritual guidance, M.V. Sanctuary’s services are hand-crafted to nurture your unique path toward wisdom and well-being.
What sets our offerings apart is not just the depth of experience and the teacher’s solid pedigree but the holistic, tailored approach that integrates physical, mental, and spiritual dimensions. In our welcoming space, you’ll find personalized attention, somatic healing practices, and a community that respects and cherishes diverse spiritual journeys.
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Yin Mountain presents a fascinating window onto the lives of three Tang Dynasty Daoist women poets. Li Ye (c. 734–784), Xue Tao (c. 768–832), and Yu Xuanji (843–868) lived and wrote during the period when Chinese poetry reached its greatest height. Yet while the names of the male poets of this era, such as Tu Fu, Li Bo, and Wang Wei, are all easily recognized, the names of its accomplished women poets are hardly known at all.
Through the lenses of mysticism, naturalism, and ordinary life, the five dozen poems collected here express these women’s profound devotion to Daoist spiritual practice. Their interweaving of plain but poignant and revealing speech with a compelling and inventive use of imagery expresses their creative relationship to the myths, legends, and traditions of Daoist Goddess culture. Also woven throughout the rich tapestry of their writing are their sensuality and their hard-wrought, candid emotions about their personal loves and losses. Despite that these poets’ extraordinary skills were recognized during their lifetimes, as women they struggled relentlessly for artistic, emotional, and financial independence befitting their talent. The poems exude the charged charisma of their refusal to hold back within a culture, much like our own, that was cosmopolitan yet still restrictive of women’s freedom.
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The Collected Works of Korean Buddhism is the first comprehensive collection of Korean Buddhist materials ever to appear in a European language. It is sponsored and published by the Jogye Order. The English editorial board consisted of Robert Buswell (chair; UCLA), Charles Muller (University of Tokyo), John Jorgensen (Australia National University), and Roderick Whitfield (SOAS, University of London). Participating translators were Juhn Ahn, Robert Buswell, Michael Finch, Jung-geun Kim, Charles Muller, John Jorgensen, Richard McBride, Jin Y. Park, Young-eui Park, Patrick Uhlmann, Sem Vermeersch, Matthew Wegehaupt, and Roderick Whitfield.
As Robert Buswell’s Preface to the English translation notes, the thirteen volumes of this anthology are drawn from the Han’guk Pulgyo chŏnsŏ 韓國佛教全書and collect the whole panoply of Korean Buddhist writing from the Three Kingdoms period (ca. 57 C.E.‒668) through the Chosŏn dynasty (1392‒1910). These writings include commentaries on scriptures as well as philosophical and disciplinary texts by the most influential scholiasts of the tradition; the writings of its most esteemed Seon (Zen) adepts; indigenous collections of Seon kongan (koan) cases, discourses, and verse; travelogues and historical materials; and important epigraphical compositions. It is our hope that The Collected Works of Korean Buddhism will ensure that the writings of Korean Buddhist masters will assume their rightful place in the developing English canon of Buddhist materials and will enter the mainstream of academic discourse in Buddhist Studies in the West.
M.V. Sanctuary’s art projects authentically emerged from Z.M. Nie’s expressions in engaged mysticism. Art, especially new media art, can be powerfully imaginative healing rituals. Over the years, this vision has led to many projects, exhibitions, awards, and collaborations all over the world.
Film Screening- Sacred FuturismEvent Page: https://partiful.com/e/3CqbV5bmtD87zfxqnlvW? 341 S Ave, 17 Los Angeles 90031 Sunday (April 21st)Doors open at 7 PMScreening Starts
Come to An Evening of Screening, Art, Live Band, and Friendship! Watch my award-winning piece on Saturday, February 3 at 7 pm at
Check them out: It’s unbelievable how excited I am to share all the good news! To enjoy and collect my
San Francisco de Young Museum, celebrating World Poetry Day. de Young Museum and The Last Hoisan Poets (TLHP) co-host this event, and
The Collected Works of Korean Buddhism is the first comprehensive collection of Korean Buddhist materials ever to appear in a European language. It is sponsored and published by the Jogye Order. The English editorial board consisted of Robert Buswell (chair; UCLA), Charles Muller (University of Tokyo), John Jorgensen (Australia National University), and Roderick Whitfield (SOAS, University of London). Participating translators were Juhn Ahn, Robert Buswell, Michael Finch, Jung-geun Kim, Charles Muller, John Jorgensen, Richard McBride, Jin Y. Park, Young-eui Park, Patrick Uhlmann, Sem Vermeersch, Matthew Wegehaupt, and Roderick Whitfield.
As Robert Buswell’s Preface to the English translation notes, the thirteen volumes of this anthology are drawn from the Han’guk Pulgyo chŏnsŏ 韓國佛教全書and collect the whole panoply of Korean Buddhist writing from the Three Kingdoms period (ca. 57 C.E.‒668) through the Chosŏn dynasty (1392‒1910). These writings include commentaries on scriptures as well as philosophical and disciplinary texts by the most influential scholiasts of the tradition; the writings of its most esteemed Seon (Zen) adepts; indigenous collections of Seon kongan (koan) cases, discourses, and verse; travelogues and historical materials; and important epigraphical compositions. It is our hope that The Collected Works of Korean Buddhism will ensure that the writings of Korean Buddhist masters will assume their rightful place in the developing English canon of Buddhist materials and will enter the mainstream of academic discourse in Buddhist Studies in the West.
Please join me in M.V. Seon: Mama Bodhi Retreat. It is a 100% free and highly customizable program meant to adapt to your one-of-a-kind family and unique life circumstance. You don’t need to go anywhere or make any logistical arrangements. This retreat is designed to help reframe your mindset in everyday life so that you can sustain spiritual growth and discover your innate wisdom wherever you are.
Operating near Mountain View, California, M.V. Sanctuary is named after Mahā-Vajra, a Sanskrit term describing the non-dual wisdom innate in every one that can cut through delusion and illuminate paths to ultimate wellbeing.
M.V. Sanctuary’s Founder, Rebecca Dawn Nie, is an award-winning new media artist, published author, Zen Master, and registered yoga teacher (RYT 200). She began her exploration of integrated and imaginative rituals to soothe the edge of immigration in 2002. Rebecca’s path of integrated and imaginative healing wisdom emerged in 2010 on the northern banks of India’s Ganges River, where Rebecca was introduced to Raja Yoga during a solo backpacking adventure. Also an authorized teacher of Tangmi Yoga in the Chinese Tantric tradition, Rebecca’s approach to teaching is grounded in evidence-based research, creative expressions, and somatic therapy.
In addition, Rebecca serves as Stanford University’s affiliated chaplain in the Buddhist tradition and has been teaching the Eastern Traditions at Stanford since 2010. She is also an award-winning new media artist who translates ancient texts from Eastern wisdom-healing heritage. Her published book, Yin Mountain, uplifts women’s embodied spirituality through the voices of 8th-century Daoist priestesses.
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